Ana Ruiz, translation by Craig Burgess

3 August 2017

La maestra - a story for beginners! A1

Ana's latest story describes the daily grind of a high school History teacher. Pushed to the limit by the boredom of the curriculum and rebellious students, she decides to turn the tables, and invites the students to enact their versions of the past. Using Spanish idioms that involve the body, such as "cuesta un ojo de la cara" and "no tiene pelos en la lengua", and written entirely in the present tense, this story is perfect for students in the Elementary levels.

Hoy la maestra se levanta con el pie izquierdo: el despertador no suena, el agua de la ducha sale fría y las tostadas se queman en el tostador - al menos el café con leche está rico. Recuerda que está enfadada con el grupo de adolescentes que pasa toda la lección sin dar pie con bola, cuya actividad favorita es hablar por los codos, sin prestar la menor atención a lo que se explica en clase.

A continuación sale de casa y va hasta el metro andando. Últimamente el metro cuesta un ojo de la cara. No le importa caminar hasta la escuela, pero hoy no quiere llegar tarde al trabajo. Ya dentro de la estación, echa una mano a una señora que tiene la bolsa de la compra desparramada por el andén, y le ayuda a recoger una lata de tomates, una barra de pan, unos tomates, una lechuga, una botella de leche, un paquete de macarrones y unos melocotones. La gente en el vagón tiene cara de pocos amigos, se les nota a las personas que duermen a pierna suelta, estas tienen un aspecto mañanero más feliz.

Una vez en la escuela, saluda y da los buenos días a las compañeras en el claustro del profesorado; aquí están todas preparadas para ir a la faena, como soldadesca dirigiéndose al frente de batalla.

Entra en el aula y encuentra a sus estudiantes alborotados; ya es primavera y se sienten las hormonas en plena ebullición. Está hasta las narices de las clases aburridas y de la falta de motivación, piensa que de alguna forma tiene que romper la monotonía del aprendizaje y empezar a fomentar el conocimiento a través del juego y las emociones, hacerles sentir que están en una películas de acción, las nuevas Kill Bill y los nuevos Indiana Jones. Precisamente su asignatura es eso: acción en el tiempo. Decide que a partir de hoy van a ser su alumnado quien reescriba la Historia.

Today the teacher gets up on the wrong side of the bed: the alarm clock doesn’t ring, the water in the shower comes out cold and the toast burns in the toaster – at least the latte is good. She remembers that she is angry with the group of teenagers who spend the whole lesson all over the place, and whose favorite activity is to talk their heads off without paying the least attention to what is explained in class.

She then leaves the house and walks to work. Lately the metro costs an arm and a leg. She doesn’t mind walking to school, but today she doesn’t want to be late for work. Once inside the station, she lends a hand to a lady whose shopping bag is scattered on the platform, and helps her to pick up a can of tomatoes, a loaf of bread, some tomatoes, a lettuce, a bottle of milk, a packet of macaroni and a few peaches. The people in the carriage have unfriendly faces, you can tell that the ones who have slept like a baby as they have a happier morning appearance.

Once she is at the school, she greets and says good morning to her colleagues in the meeting room of the school; here they are all prepared for the task, like a soldier heading to the battle front.

She enters the classroom and finds her students unruly; it is spring and their hormones are in full boil. She is fed up with the boring classes and with the lack of motivation, she thinks that somehow she has to break the monotony of learning and start fostering knowledge through games and emotions, making them feel like they're in an action movie, the new Kill Bill and the new Indiana Jones. This is precisely what her subject is: action in time. She decides that from now on, it will be her students who rewrite History.


Image owned by El Patio

Entonces les explica que las clases van a ser diferentes. Desde ese momento van a trabajar en equipos. Cada uno de ellos va a investigar los diferentes periodos de la Historia que les toca estudiar durante este año; pero no la Historia con mayúscula, sino que van a aprender la vida de la gente de a pie, sus costumbres, los trabajos que hacen, las casas que habitan, el tipo de relaciones que tienen, las roles que cumplen. Después van a presentar al resto de la clase sus investigaciones y sus conclusiones, y lo van a escenificar en pequeños actos cotidianos, disfrazados con los vestidos de época. No más guerras ni reyes; no más fechas ni estadísticas; no más tratados ni conquistas; no más traiciones ni alianzas.

Los estudiantes no dicen esta boca es mía – piensan que la maestra tiene perdida la cabeza y que todo el asunto no tiene ni pies ni cabeza. Algunas que no tienen ni un pelo de tontas dudan de las intenciones del nuevo plan. Otros que no tienen ni un dedo de frente piensan que esta es su oportunidad para no dar ni golpe. Los menos no tienen pelos en la lengua y se lanzan a hacer todo tipo de preguntas. 

Llega el final del curso, maestra y estudiantes son ahora uña y carne. El nuevo programa es un éxito y todo el mundo tiene una idea más realista del pasado de su país. Ahora sí les gustan la historia y el teatro. Terminan el curso sabiendo que la historia es el escenario donde se representa la vida de la gente corriente, con sus acciones y acontecimientos, con sus alegrías y sus desgracias, con los nacimientos y las muertes. La historia es eso que le pasa a una persona desde que nace hasta que muere.

 

Then she explains that the classes will be different. From now on they will work in teams. Each one of them will investigate the different periods of History that they study during this year; but not History with a capital letter, rather, they are going to investigate the life of normal people, their customs, the jobs they do, the houses they inhabit, the type of relationships they have, the roles they play. Then they will present their research and conclusions to the rest of the class, and they will have to stage it in small daily acts, dressed in period clothing. No more wars or kings; no more dates or statistics; no more treaties or conquests; no more betrayals or alliances.

The students don’t utter a word – they think the teacher has lost her mind and that the whole thing makes no sense. Some who are not easy to trick doubt the intentions of the new plan. Others who don’t have half a brain think that this is their opportunity to not even lift a finger. A few speak their mind and launch into asking all manner of questions.

The course comes to an end and teacher and students are like old friends. The new program is a success and everyone has a more realistic idea of ​​the past of their country. They now like history and theatre. They finish the course knowing that history is a stage where the lives of ordinary people are enacted, with their actions and events, with their joys and their misfortunes, with births and deaths. History is what happens to a person from birth until they die.

Vocabulary of body parts!


Image by Craig Burgess

A. Spanish has many expressions which make reference to parts of the body

Make a list of all the parts of the body that you can find in the Spanish expressions, with their English translation. Add in the definite article (the – el, la, los, las) so you learn that at the same time.

Eg: el pie–foot, ...

(answers at the end)

 

B. Match the following expressions with their meaning

1. Levantarse con el pie izquierdo

a. Ser buenos/as amigos/as

2. No dar pie con bola

b. Ser listo/a, despierto/a

3. Hablar por los codos

c. Ser muy caro

4. Costar un ojo de la cara

d. Algo sin sentido, incomprensible

5. Echar una mano

e. Dormir muy bien

6. Tener cara de pocos amigos/as

f. Perder la lucidez mental

7. Dormir a pierna suelta

g. No ser inteligente

8. Estar hasta las narices

h. Decir lo que se piensa

9. No decir esta boca es mía

i. Parecer enfadado/a

10. Tener perdida la cabeza

j. Hablar mucho

11. No tener pies ni cabeza

k. Ayudar a alguien

12. No tener un pelo de tonto/a

l. Estar harta/o de algo o alguien

13. No tener ni un dedo de frente

m. Hacer las cosas mal

14. No tener pelos en la lengua

n. Tener un mal día

15. Ser uña y carne

ñ. No hablar

(answers at the end)  

 

C. Place the verbs that are underlined in the text, into their correct group

Verbos regulares:

 

Verbos reflexivos:

 

Verbos que son como GUSTAR:

 

Verbos irregulares: 

 

(answers at the end)

 

Soluciones (answers) - Below the video!



A:
el pie–foot, los codos–elbows, el ojo–eye, la cara–face
la mano–hand (f), la cara–face, la pierna–leg, las narices–nose
la boca–mouth, la cabeza–head, el pelo–hair, el dedo–finger (or toe)
la frente–forehard, los pelos–hairs, la uña–(finger or toe)nail, la carne–flesh

B:
1-n, 2-m, 3-j, 4-c, 5-k
6-i, 7-e, 8-l, 9-ñ, 10-f
11-d, 12-b, 13-g, 14-h, 15-a

C:
Verbos regulares: pasa, explica, echa, ayuda, saluda, entra, decide, dudan, terminan, representa
Verbos reflexivos: se levanta, se queman, se sienten, se lanzan
Verbos como GUSTAR: le importa, les toca, les gustan
Verbos irregulares: suena, sale, cuesta, duermen, encuentra, está, da, va, son, tiene

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